Commitment
Since its founding by the citizens of Mainz in 1900, the Gutenberg Museum has been committed to serving the public. The museum's diverse municipal, national, and international work would not be possible without financial support from the city. However, private individuals, associations, professional societies, and foundations also contribute to the successful continuation of the outstanding work of the "World Museum of Printing Art."
Civic engagement
Volunteering is an integral part of German society. Through their voluntary work, citizens express their commitment not only to a community, but also to initiatives, associations, and institutions. The importance of the Gutenberg Museum as a place of knowledge, research, and dialogue, but also as a place of remembrance and a laboratory that invites its visitors to experiment, is evident in the large number of volunteers who work in the museum, especially in its print shop. Their voluntary work shows the significance of the Gutenberg Museum in Mainz society and far beyond.
Donations and gifts
Since the museum was founded, the collection has grown steadily thanks to donations and gifts. These contributions include donations in kind, which support and complement the museum's collection mission, as well as financial donations from institutions and private individuals, which support specific areas of the Gutenberg Museum's work (purchases, exhibitions, restoration, etc.).
Would you like to support the Gutenberg Museum with a donation? We look forward to hearing from you!
Associations, societies and foundations
The Gutenberg Museum is actively supported by associations, societies, and foundations that are committed to the museum's work.
International Gutenberg Society e.V.
Founded in 1901, the Gutenberg Society is one of the most traditional scientific societies in Mainz. Together with the city of Mainz and alternating annually with the printing city of Leipzig, it awards the Gutenberg Prize, worth €10,000, for outstanding scientific, technical, or artistic achievements in the field of printing. It also provides conceptual and financial support to the Gutenberg Museum.
Gutenberg Foundation
The foundation, established in 2009 by the Förderverein Gutenberg e.V. (1994-2011), strives to provide sustainable financial support for the museum, for example through sales in the museum shops.
Friends of Gutenberg
Founded in 2018, the Friends of Gutenberg association brings together people who actively support the Gutenberg Museum. Members of the association also receive discounts and special offers at the museum.
Mainz impulse
With the digitization of printing, knowledge of traditional printing techniques is increasingly being lost. Raising awareness for the preservation of Gutenberg's technology and securing technical expertise for future generations are the goals of the "Mainzer Impuls" (Mainz Impulse).
On September 30, 2020, the "Mainzer Impuls," initiated by the former director of the Gutenberg Museum, Dr. Annette Ludwig, was signed by the then mayor of the state capital Mainz, Michael Ebling, and the head of the department of construction and culture, Marianne Grosse. This anchored the appeal in cultural policy.
Your vote counts!
If you would also like to add your voice to the campaign to preserve Gutenberg's technology, please send us an email stating your name and, if applicable, the name of the institution you represent, to mainzer-impulsstadt.mainzde.
Privacy policy
By supporting the "Mainzer Impuls," you agree to the publication of the following personal data on the website of the Gutenberg Museum Mainz:
• First and last name
• Occupation or institution for which you work
• Location Privacy policy
List of signatories
The initiators
Dr. Annette Ludwig,
former director of the Gutenberg Museum
Michael Ebling, former
mayor of the state capital Mainz
Marianne Grosse
Head of Cultural Affairs for the state capital of Mainz
The signatories
Dr. Arne Ackermann
Director of Munich City Library, Munich
Dr. Dorothee Ader
Museum Director, Klingspor Museum, Offenbach am Main
Ralph Aepler
Chairman of the Board, Pirckheimer-Gesellschaft e.V.
Alejandro Agustín Cano
London (United Kingdom)
Alejandro Agustín Nogués
Valencia (Spain)
Dorothea Allmeritter
Director of the Joseph Meyer City and District Library, Hildburghausen
Werner Andrä
First Chairman of the Working Group on School Printing (AKS) e.V., Tübingen
Barbara Arndt
Translations Fietz, Oldenburg i. O.
Sabine Arndt
City and Regional Library, Erfurt
Juan J. Arrausi Ph.D.
Educational Coordinator and Professor, ELISAVA, Escuela Universitaria de Diseño e Ingeniería de Barcelona (Spain)
Jesús Arres Flores
(Spain)
Dr. Sylvia Asmus
Director of the German Exile Archive 1933–1945, German National Library, Frankfurt am Main
Dr. Vlad AtanasiuComputer
scientist and paleographer, University of Bern, Bern (Switzerland)
Andreu Balius
Typerepublic, Barcelona (Spain)
Dr. Julia Bangerte,
former Managing Director of the International Gutenberg Society in Mainz e.V.
Cornelia Bärsch-Kämmerer
Tour guide for the city of Mainz
Franca Bartholomäi
Artist, Mainz City Printer 2016, Halle an der Saale
Andrea Becker Public Relations
Officer, State Chancellery Mainz
Dr. Uwe Beckmann
Director of the LWL Open Air Museum Hagen – Westphalian State Museum of Crafts and Technology, Hagen
Dr. Dörte Beier
Director of the Schleswig City Museum
Barbara Beisinghoff
Artist, Beisinghoff Studio House, Diemelstadt-Rhoden
Joseph Belletante
Director of the Musée de l'imprimerie et de la Communication graphique Lyon (France)
Heike Berl
Artist and IAPMA Archive Keeper (International Association of Hand Papermakers and Paper Artists), Dresden
Gudrun Beutel,
Mainz
Manfred Blieffert
Visual artist, printer, Osnabrück
Susanne Bittner
Oberursel
Anne Blicke
Gutenberg Foundation, Mainz
Norbert
BodeLetterpress printer, Kelkheim
Dr. Gilles Bodin
Printer's son (typographer and linotypist), bibliophile, president of the Société d'Histoire et d'Archéologie de Senlis (France)
Herbert Böhm
Editor, Hamburg
Tabea Borchardt
Freelance artist and art educator, Triebfeder artists' collective, Essen
Elke Born
Mainz-Kostheim
Joachim Breuninger
Chairman and Director of the German Museum of Technology Foundation, Berlin
Petra Brickmann Book
restorer, Palatinate State Library, Speyer
Ricardo Brontons Castello
(Spain)
Dr. Hedwig Brüchert
City History Museum Mainz
Michael Brust
Managing Director/Owner, Kammerlander Druck OHG, Kempten (Allgäu)
Federal Association of Visual Artists (BBK)
Monika Buniwer-Conradi
Volunteer at the Gutenberg Shop (since 2009) / the Gutenberg Foundation (since its founding)
Marie-Luise Bursch,
Alzey
Carlos Campos
Jaén (Spain)
Juan Castelló Mora
Senator of the Senado del Museo de la Imprenta de Valencia (Spain)
Leopoldine Chazeaud
Artist, Mainz
Horst Ciechowski
Typesetter at the Gutenberg Museum printing shop in Mainz
Yves Marit Chrzanowski
Printing artist, Halle (Saale)
Xavier Claverie-Rospide
Aube musique ancienne, Troyes (France)
Dr. Claude D. Conter
Director of the National Library of Luxembourg (Luxembourg)
Dr. Michael E. Coridaß
Mainz
Sandra Debot
Lyon (France)
Helmut Dedy
Chief Executive of the German Association of Cities
German Association of Designers Rhineland-Palatinate
Christophe Didier National
and University Library of Strasbourg, Strasbourg (France)
Die Betonisten – Initiative for the Promotion of Post-War Architecture
Mainz
Dr. Georg Dietz
Japico Dietz, Dresden
Prof. Dr. Wolfgang Dobras
Chief Archivist, City Archives, State Capital Mainz
Renate Donat
Bad Vilbel
Bernhard Dorn
Drucken & Lernen Teaching Materials Publisher, Raunheim
Bernadette Dotzauer
Biblis
Hans Dubronner
Master typesetter, Bruchsal
Franz Dudenhöffer
Director of the Municipal Gallery Speyer
Andreas Düspohl
Director of the International Newspaper Museum of the City of Aachen
Oliver Ebben
Dr. Katharina
EbrechtDirector of the University Library, Reutlingen University
Andreas Ecarnot
Museum educator, Head of the Printing Shop at the Gutenberg Museum Mainz (2011–2013)
Volker Eckebrecht
Book printer, Magdeburg
Hergen Eckoldt
cross-effect, Eckoldt GmbH & Co.KG, Ingelheim
Alexander Elspas
Büchergilde Gutenberg Verlagsgenossenschaft eG, Frankfurt am Main
Erich Elstermann
Oberhausen
Beate Emde
Independent visual artist, Neustadt/Weinstraße
Maria Erbach
MIS Viernheim, Stockstadt
Ulrike Eschwei
Typesetter, former director of studies, printing and media technology Gutenbergschule Frankfurt am Main
Jeannette Faure
Freelance journalist, Frankfurt am Main
Dr. Onno Feenders
Emden
Marlène Fezay
Saint Chamond (France)
Enrique Fink Hurtado
President of the Asociación de Amigos del Museo de la Imprenta de Valencia. Senado del Museo, Valencia (Spain)
Katharina Fischborn
Artist, Mainz City Printer 2006, Langenlonsheim
Angelika Flaig
Bösdorf
Hartmut Flothmann
Idstein
Förderkreis Heimatgeschichte und Alte Propstei Kruft e.V. (Friends of Local History and Old Provostry Kruft Association)
Johannes Follmer
Homburg Paper Manufacture and Homburg Paper Mill, Homburg
Friedrich Forssman
Typographer and exhibition designer, Kassel
Dr. Jürgen Franssen
First Chairman of the Association for the Black Art e.V., Heidelberg
Heinz and Gerlinde Freiberg
Edition Freiberg, Dresden
Anja Fröhlich
Head of the Handicraft Collection at the Municipal Museums of Deggendorf
Pascal Fulacher
Director of the Atelier du Livre d’art et de l’Estampe, Imprimerie Nationale, Flers en Escrebieux (France) (until September 2021)
Prof. Dr. Nina Gallion
Professor of Late Medieval History and Comparative Regional History, Johannes Gutenberg University Mainz
Javier García del Olmo
Designer, calligrapher, author, and editor, Senator of the Senado del Museo de la Imprenta de Valencia, Madrid (Spain)
Yiannis Garedakis
Museum of Typography by Yiannis & Eleni Garedakis, Chania, Crete (Greece)
Helmut Garritzmann
Pulheim-Geyen
Julian Garritzmann
Frankfurt am Main
Gabriel de Gaudi
Pesaro (Italy)
Charlotte Gauvin
Graphic designer, Studio Système Sensible, Eurre, Drôme (France)
Silke Geck
Frankfurt am Main
Tobias Gellscheid
Mainz City Printer 2018, Halle an der Saale
Dr. Annette Gerlach
Director of the Rhineland-Palatinate State Library Center, Koblenz
Burkhardtsdorf History and Art Association, Burkhardtsdorf Printing Museum
Peter Gilles
Mainz
Dr. Thomas Glöß
Chairman of the Leipzig Bibliophile Evening Association
Dr. Anett Göthe
Curator, Gutenberg Museum Mainz
Dr. Helmut GoldDirector
of the Museum for Communication Frankfurt am Main and Curator of the Museum Foundation for Post and Telecommunications
Rudolf Paulus Gorbach
Seminar "Typography Intensive"
Christel Greiser-Garritzmann
Pulheim
Christian Gruber
BiBi am See, Community and School Media Center Wulfen, Dorsten
Ralf Grüner
DTP Assistant, Auerbach/Bergstraße
Reinhard
GrünerCollector of modern artist books and illustrated books since the 18th century, Munich
Jürgen Grünitz
Owner of the Fritz Classen printing company, Düsseldorf
Maud Guerche
Graphic designer, Sélestat (France)
Aránzazu Guerola Inza
President of the Sociedad Bibliográfica Valenciana Jerónima Galés, Secretary of the Asociación de Amigos del Museo de la Imprenta de Valencia. Senado del Museo, Valencia (Spain)
Anne Guillou
Director of the Médiathèque Jean-Macé (Metz-Borny), Bibliothèques-Médiathèques de Metz (France)
Dominique Guinet
Sainte-Foy-lès-Lyon (France)
Dr. Mechthild HaasDirector
of the Graphic Arts Collection with Department of Type Casting, Typesetting, and Printing Processes at the Hessian State Museum, Darmstadt
Thomas HaasManaging
Director of the Weiss-Druck-Stiftung, Monschau
Sophie Haesen
Translator, Gamila Verlag, Vieux Ferrette (France)
Jürgen Hagenkötter
Museum on Tour, Lütau
Magdalene
Hanke-BasfeldAuthor and illustrator, Hamburg
Volker
HansFDP-Finthen, Member of the Finance and Participation Committee of the Mainz City Council
Dr. Michael HansenDirector
of Mainz University Library
Cornelia Hartkopf
Printmaker, Printing Workshop at the Women's Museum, Bonn
Jan Hartmann
BBK Frankfurt, Zuzenhausen
Susanne Hartmann
Communication designer, Mainz
Wolfgang Hartmann
President of Bauer Types, Barcelona (Spain)
Eberhard Hartwig
Printmaking Studio Berlin
Josef Haslinger
Writer, Vienna (Austria)
Sandra Heinz
Artist, Mainz City Printer 2012, Mainz
Aniko Heinze
City Library Bischofswerda
Manfred Heiting
The Institute of Art Research, Amsterdam (Netherlands)
Philipp Hennevogl
Linocut (artist), Berlin
Dr. Andreas Henning
Director, Museum Wiesbaden – Hessian State Museum of Art and Nature
Christian Herfurth
Mayor of the university town of Idstein
Katharina Hesse
Managing Director of the Book Art Foundation
Wichard von der Heyden
Mainz
Dr. Karin Hilbers
Printmaker, Jasdorf
Wolfgang Höfener
Historical Printing Workshop Offizin Schloss Horst, Gelsenkirchen
Florian Holzing,
Koblenz
Dr. Sabine Homilius
Director of the City Library, Frankfurt am Main
Nikolas Hönig
Illustrator and graphic designer, Essenheim
Jesús Huguet i Pascual
Executive Secretary of the Consell Valencia de Cultura, Valencia (Spain)
Seungjae Huh
Consul General of the Republic of Korea, Embassy of the Republic of Korea, Bonn Branch
Martina Illner
Press and Public Relations, Gutenberg Museum Mainz
Carolin Immig
Oberhausen
Chamber of Industry and Commerce for Rheinhessen
Peter Hähner (President), Günter Jertz (Chief Executive)
Institute for Historical Regional Studies at the University of Mainz e.V.
Dr. Holger Jacob-Friesen
Head of the Collection and Science Department and the Old Masters Picture Gallery, State Art Gallery Karlsruhe
Dr. Stephanie Jacobs
Director of the German Book and Writing Museum, German National Library, Leipzig
Christian Jäger
Illustration and Graphic Design
Susanne Jaeger
Mainz
Nikola Jaensch
Visual artist and lecturer in nude drawing, Mainz Academy of Fine Arts
Monika Jakobs
Luxembourg Printing and Playing Card Museum, Grevenmacher (Luxembourg)
Dr. Skadi JennickeDeputy
Mayor for Culture of the City of Leipzig
H.E. Dr. Bum-goo Jong
Ambassador of the Republic of Korea
Andrea
JoostenLibrarian, Emmerich am Rhein
Julia Kahl
CEO / Publisher / Editor, Graphic Designer, SLANTED PUBLISHERS
Regina Kania
Librarian, Mainz City Library and Gutenberg Museum
Abbas Khider
Writer, Berlin
Maximilian Kiefer
First Chairman, Student Body of Mainz University of Applied Sciences K.d.ö.R., General Student Committee (AStA)
Adi Kiescher
Mainz
Yeon-in Kim
Director General of the Cheongju Early Printing Museum, Cheongju (Republic of Korea)
Jürgen Kipp
Organizer of the Minipressen-Messe, Gutenberg Museum Mainz
Renate Knigge-Tesche M.A.
Political scientist, Mainz
Stephanie Koch
Director of the Weinheim City Library
Ludger Maria Kochinke
Bookbinding studio . Kochinke, Mainz
Iris Kockelbergh
Director of the Plantin-Moretus Museum, Antwerp (Belgium)
Johannes Kohl
Spokesperson for the Mainz Citizens' Initiative for Gutenberg, Mainz
Markus Kohz
Member of the Board of the International Gutenberg Society in Mainz e.V.
Siegfried Kolsch,
graduate engineer and retired master printer
Dr. Judith König
Chairwoman of the Mainz Tour Guide Association
Teresa and Dr. Erwin Kreim
Founders and sponsors of the "Letter Writer Collection" at the Gutenberg Museum, authors of several publications on Johannes Gutenberg, Mainz
Karl Kretschmer
First Chairman of the Association "Die Druckwerkstatt Mosbach e.V."
Prof. Martin Maria Krüger
President of the German Music Council
Ruth Kühn
Mainz
Karin Kuhn
Director of the Aschaffenburg Court Library
Patrick Kunkel
First Chairman of the Burg-Verein e.V. Eltville am Rhein
Dr. Eberhard Kusber
Director of the Erfurt City and Regional Library
Anke Lambeck
SMS group GmbH, Specialist Information, Hilchenbach
Annette Lang-Edwards, Book
Restorer, Gutenberg Museum Mainz
Prof. Dr. Ralf Lankau
Professor of Digital Design, Media Design and Media Studies, grafik.werkstatt, print.screen.digital, Faculty of Media, Offenburg University of Applied Sciences
Gert Laufenberg
Typesetter and media designer, member of the Friends of the Museum of Work, volunteer at the typesetting workshop of the Museum of Work in Hamburg-Barmbek
Barbara Laufs
Mainz
Dr. Manfred Laufs
Mainz
Alfredo Lazo Molina
Senator of the Senado del Museo de la Imprenta de Valencia, Valencia (Spain)
Stefan Ledergerber
Director of the Gutenberg Museum – Swiss Museum of the Graphic Arts, Fribourg (Switzerland)
Dooyoung Lee
Consul General of the Republic of Korea, Embassy of the Republic of Korea, Bonn branch
Gisela Lehner
Library Director, Eichenau Municipal Library
Martin Wilhelm
LeidigLadenburg
Torsten Leupold
Graphic Arts Workshop Dresden, Office for Culture and Monument Protection Dresden
Myriam Lezier
Artisan, Engraving, Auxerre (France)
Margarete Lindau
Board Member, BBK Mannheim, Head of the Printing Workshop at the Design Department of Darmstadt University of Applied Sciences, Mannheim
Gabriele Lindinger,
Editor of KUNSTZEITUNG
Gabriele Lindner
Head of the Nicolas Born Library, Hitzacker
Sylke and Michael Linke
Printing Museum Hoya
Prof. Dr. Maria Linsmann-Dege
Curator, Gutenberg Museum Mainz
Juan Luis Llop Bayo
Valencia (Spain)
Juanjo López
Familia Plómez, Madrid (Spain)
Melissa Lotz
Mainz
Dr. Bernhard Lübbers
Library Director of the Regensburg State Library
Prof. Dr. Hartwig Lüdtke
Director of the TECHNOSEUM State Museum of Technology and Work in Mannheim
Victor Ludwig
Student, Ruhr University Bochum
Jana Madle-Elmerhaus
Communication designer and typographer, typesetter in training and on TypoWalz
Roman Mangold Retired
school superintendent, Arbeitskreis Schuldruckerei (AKS) e.V., Reutlingen
Christian Mantsch
Head of the Library, Evangelische Hochschule Nürnberg
Julián Marcelo
Valencia (Spain)
Peter Marggraf
Sculptor, printer, and bookmaker, Bordenau/Venice (Italy)
Francisco José Marín Perellón Municipal
Printing House – Book Arts, Madrid (Spain)
Dr. Alan Marshall
Former Director of the Musée de l’imprimerie et de la communication graphique, Lyon, Board Member of the Association of European Printing Museums, Vice President of the International Association of Printing Museums, Lyon (France)
Yurema Martín Antón
Gráficas Almeida, Madrid (Spain)
José Manuel Martín
LanzaGráficas Almeida, Madrid (Spain)
Antoni Martínez Revert
Xàtiva (Spain)
Céline Martinez Teste
Graphic designer, Saint-Étienne (France)
Gudrun Lydia Martini,
certified translator, language teacher, author, artist, small publisher, owner of ARTS MARTINI ACADEMIE Languages Art Culture, Berlin
Katharina Massing
Exhibition assistant, Gutenberg Museum Mainz
Prof. Klimis Mastoridis, PhD, FISTD, FIP3
Director of the Institute for the Study of Typography and Visual Communication (ISTVC), Professor of Typography & Graphic Communication, University of Nicosia (Cyprus)
Daniel Matoses
CEO, Impresum, Valencia (Spain)
Olivier Mayençon
Typographer, Trévoux (France)
Monsignor Klaus Mayer
Honorary citizen of the state capital Mainz
Prof. Gerhard Meerwein
Mainz
Karl Michael Meinecke
Typesetter, Dipl.-Ing. (HdM), bvdm Technik + Forschung (1980–2017), Member of the Board of the International Gutenberg Society, Aystetten
Jörg Meißner
Curator, Gutenberg Museum Mainz (2017–2021)
Clemens Meyer
Writer, Leipzig
Carl Middleton
Studio B, Milverton (United Kingdom)
Frank Mittelbach
Technical Lead LaTeX Project, Mainz
Jesús Morentin
BunkerType Typography Printshop, Barcelona (Spain)
Oriol Moret Viñals
Lecturer, Coordinator of the Letterpress Workshop, Faculty of Fine Arts, University of Barcelona (Spain)
Dr. Dietrich Müller
Bad Kreuznach
Prof. Dr. Rita Müller
Director of the Museum of Work, Hamburg Historical Museums Foundation
Prof. Dr. Pia Müller-Tamm
Director of the Staatliche Kunsthalle Karlsruhe
Dr. Roger Münch
Director of the German Newspaper Museum, Wadgassen
Klaus
Münchschwander, Dreieich
Museum of Literature on the Upper Rhine, Karlsruhe
Prof. Dr. Isabel Naegele
Professor of Typography, Director of the Gutenberg Design Laboratory Institute, Mainz University of Applied Sciences
Monika Neff
Calligrapher, Bad Homburg
Dr. Harry Neß
Chairman of the International Working Group for Printing and Media History
Harro Neuhardt
Master printer of the state capital Mainz
Heinz Noack
Typesetter at the Gutenberg Museum Mainz printing shop
Lukas Nübling
Managing Director of the Rhineland-Palatinate Cultural Office
Prof. Dr. Andrea Pataki-Hundt
Manuscripts, Graphics, Photography, and Illumination, CICS – Cologne Institute of Conservation Sciences, TH Cologne
Francisco de Paula Martínez Vela
Oficina Tipográfica, Granada (Spain)
Reinhard Pfnorr
Printing House, Niddaer Heimatmuseum e.V.
Matthias Philipp
Monopol – Magazine for Art and Life
Silke Philipps-Deters
Project Management, descom – Design Forum Rhineland-Palatinate
Prof. Dr. Eckhart Pick
Mainz
Katharina Pieper
Founder of the association "Stiftung Schriftkultur e. V." and the Museum of Calligraphy and Handwriting, Homburg/Saar
Albert Pitarch Navarro
Member of the Sociedad Bibliográfica Valenciana Jerónima Galés, Valencia (Spain)
Christin Prinz
Jena
Françoise Puy
Lyon (France)
Dirk Quasten
Founder of the project "Das VIELFALT" (Diversity), Dreieich
Wolfgang Raab
Master printer and typesetter, honorary master of the former Guild of Graphic Arts in Trier, former board member of the State Association of Printers, Neustadt
Klaus Raasch
Publisher and organizer of "BuchDruckKunst" – trade fair for exquisite works on paper in Hamburg
Martin Rabanus
Chairman of the German Adult Education Association
Ute Recklies
Dipl.-Bibl.WB, Karlsruhe
Johannes Reisinger-Wansch, engineer
, Primelzahl GmbH, Linz
Ulla Reske
Research assistant, Gutenberg Museum Mainz
Fermín de los Reyes Gómez
University professor, academic secretary, Faculty of Documentation Sciences, Complutense University, Madrid (Spain)
Dr. Dan Reynolds
Lecturer for Special Tasks, Typography and DTP, Niederrhein University of Applied Sciences
José María Ribagorda
(Spain)
Dr. Sandra Richter
Director of the German Literature Archive Marbach
Dr. Susanne Richter
Director of the Museum of Printing Art, Leipzig
Reinhard Riedel,
First Chairman of the Erlebniswerkstatt Buchdruck-Museum Soltau e. V.
Sibylle von Roesgen, M.A., dwb
Art historian and cultural manager, Mainz
Dr. Dietrich Rost
Nuremberg
Claire Royer
Computer scientist, Lyon (France)
Andrea Rudolph
Chairwoman of the BildDruckPapier Forum, Dresden
Manolo Sanchis
Valencia (Spain)
Karin Saur
Employee at the Gutenberg Museum printing shop, Mainz
Prof. Dr. Klaus G. Saur,
Munich
Dolores Schabio
Employee at the Gutenberg Museum print shop in Mainz
Dr. Dorit Schäfer
Director of the Kupferstichkabinett, Staatliche Kunsthalle Karlsruhe
Judith Schalansky
Writer and book designer
Sylvia Schaumburg-Hillen
Neuwied
Sven Schiefelbein
Director of the Büdelsdorf Municipal Library
Erika Schiller
Member of the Working Group on School Printing (AKS), Esslingen
Dr. Daniel Schlögl
Director of the Library of the Institute for Contemporary History Munich-Berlin
Karlheinz Schmid
Publisher of KUNSTZEITUNG
Eberhard Schmidt
Hofheim am Taunus
Thomas Schmidt
Project Manager, Gutenberg Museum Mainz (2020–2021)
Prof. Dr. Hansgeorg Schmidt-Bergmann
Professor of Modern German Literature at KIT Karlsruhe and Director of the Museum of Literature on the Upper Rhine, Karlsruhe
Bertram Schmidt-Friderichs
German Liaison Chairman of the Type Directors Club of New York and Managing Director of the Hermann Schmidt publishing house
Daniela Schmitt
State Secretary in the Ministry of Economics, Transport, Agriculture and Viticulture of the State of Rhineland-Palatinate (until 2021)
Dr. Rainer Schmitt
Music and Culture Tours, Wiesbaden
Bernd Schoepe
Berlin
Martin Schröder
, Duisburg
Dr. André Schüller-Zwierlein
Chief Librarian at the University Library of Regensburg
Christel Schulte
Employee at the Gutenberg Museum Mainz print shop
Marie-Luise Schultz
Museum educator at the printing workshop at the Junges Museum Frankfurt (until 2018)
Dr. Sandra Schultz
Curator, Gutenberg Museum Mainz
Ingo Schulze
Writer, Berlin
Eckehart SchumacherGebler
Haag-Drugulin printing shop, Dresden
Heribert Schwalge
Bornheim
Christa Schwarztrauber
Master typesetter, Fliegenkopf hand typesetting workshop, Munich
Paul Schweitzer-Martin
Research assistant at SFB 933 "Material Text Cultures" at Heidelberg University
Jürgen Seeger
Die bewegliche Letter – Hamelner Druckerei-Museum e. V.
Dr. Gero Seelig
Curator, State Museum Schwerin
Hildegard Seidel
Director of the Rudolf Hagelstange Municipal Library, Nordhausen
Jordi M. Sempere Vicedo
(Spain)
Johannes Seubert
Engineer, Frankfurt am Main
Dr. Jochen Skupin
Osterholz-Scharmbeck
Dr. Joaquín Solana Oliver
Member of the Club de Gráficos Eméritos, Barcelona (Spain)
Prof. Tina Solt
Professor of Visual Arts, Institute for Art History and Fine Arts, Head of the Institute's Printing Workshop, University of Koblenz-Landau, Landau Campus
Dr. Stefan Soltek
Director of the Klingspor Museum Offenbach and member of the board of the AEPM
Brigitte Specht
Press and Public Relations, Gutenberg Museum Mainz
Michael Sprengart
Creative Director Art, Mainz
Gerhard Steidl
Printer and publisher, Göttingen
Annelore Stein
Certified social pedagogue, Caritasverband Mainz e. V., Mainz-Hechtsheim (until Nov. 2021)
Robert Steinberger
Graphic designer/illustrator, Oberhausen
Eva Steinberger-Theisen
Certified Engineer, Architect, Kruft
Manfred Steinmann
Knowledge
Anja Stengel
Kronau
Stenografenverein Mainz 1862 e.V., Mainz-Lerchenberg
Werner Busch (first chair), Inge Hupf (second chair)
Peter Stephan
Lithographer and Head of the Dresden Graphic Arts Workshop, Dresden Office for Culture and Monument Preservation
Dr. Monika Storm
Archive of the Rhineland-Palatinate State Parliament, Mainz
Adel Ibrahim Sudany
Lecturer in Calligraphy, Goethe University Frankfurt am Main
Dan Tait-Jamieson
Secretary and Treasurer of The Printing Museum, Upper Hutt (New Zealand) and Chairman of the International Association of Printing Museums
Immanuel Tanneberger
Art teacher, Theißtalschule Niedernhausen
Josef Thienen
Typesetter (lead), book and offset printer, Bad Honnef
Rolf Thienen
, Bad Honnef
Guy Tinsel
President of Espace Européen Gutenberg, Strasbourg (France)
Dr. Regula Venske
President of the PEN Center Germany
Sebastian Vernetta Barrera
(Spain)
Claire Victor
University Library, Lyon (France)
Jean-Pierre Villard
President of the Association d’Encre & de Plomb, Chavannes-près-Renens (France)
Wolfgang Vogel
slowtype studio workshop, Ludwigshafen
Inge Vogler-von Zons
Ludwig Voss
Managing Director of the German Bookbinders Association
Josef Wagner
Graduate theologian, retired publisher, Ingelheim
Petra Wagner
Wunstorf
Prof. Valy Wahl
dwb, graphic design – figurative and experimental project design, Mainz
Katharina Walter
Cultural and media scholar, Potsdam
Andreas Weber
Chairman & CEO of FISS, the Friends of the International Senefelder Foundation, Frankfurt am Main
Elli Weishaupt
Artist, Mainz-Kostheim
Berthold Weiß
Deputy Director of the University and State Library Fulda
Uli Weiß
Graphic designer and managing director, magma design studio, Karlsruhe
Prof. Dr. Susanne Weissman
President of Mainz University of Applied Sciences
Dr. Annika Wellmann
Curator and media historian, Hanover
Silvia Werfel, M.A.,
printing historian and journalist, Wiesbaden
Andreas Wiese
Regional Head, ver.di Rhineland-Palatinate-Saarland, Telecommunications/Information Technology/Data Processing Division
Karin Wiertz
Artist, Maastricht (Netherlands)
Hermann Wiest
FDP parliamentary group Mainz
Roman Wilhelm Typography
Laboratory, Visual Communication, Faculty of Design, Berlin University of the Arts
Sven Winterstein
Owner of Letterjazz Print Studio, Essen
Klaus Wiskow
Hanau
Marieke de Wit
Graphic designer and letterpress printer, Amsterdam (Netherlands)
Werner Worm
Owner, ww medienservice, Darmstadt
Carola Zabler
Director of the Östringen Municipal Library
Hans Zink
Typesetter and machine typesetter, Ludwigsburg
Philippe Zirn
Proofreader, Louannec (France)
Johan de Zoete Reproduction
process expert, conservator at the Museum Enschedé in Haarlem (until 2016), Utrecht (Netherlands)
Voices on the Mainz Impulse
"Despite all the euphoria surrounding the rapid advance of digitalization, we should not forget our roots, because without them we would not be where we are today. My wish and dream would be for the analog and digital worlds to develop and complement each other on an equal footing. In terms of books, this means that paper books, with their unmistakable aesthetics and no technical aids required, e-books, with their fast and convenient availability (depending on functioning technology), and quick information from the internet should all have the same status. For this reason, I hereby sign the Mainz Impulse."
Dorothea Allmeritter, Director of the Joseph Meyer City and District Library in Hildburghausen
"In terms of speed, digital technologies have won the day. But, to quote Volker Pispers, one might ask: "Where to?" What good does it do us if everything is getting faster and faster? Time is the most precious thing there is. Because it slips away inexorably and cannot be saved or reversed. Slowness is pure luxury, but in view of the demand for ever greater efficiency and acceleration, it is also pure provocation. This makes analog printing technologies, which are many times slower than their digital counterparts, both precious and subversive.
The speed at which digitization is advancing, or rather "has advanced," is increasingly overwhelming me. You may shake your head and laugh at this admission. But perhaps I am speaking from your heart as well.
We have reached the point where technology no longer makes our lives easier, but dominates them by taking up more and more of our time. For me, woodcut printing means deceleration—a word that, significantly, my electronic writing device marks as incorrect or unknown. And for me, slowing down is a way of enjoying life and a form of resistance."
Franca Bartholomäi, Mainz City Printer 2016/17
"The LWL Open-Air Museum Hagen – Westphalian State Museum of Crafts and Technology – has, in addition to numerous other historical crafts and trades, an extensive and very popular "Printing and Paper" section with demonstrations of "paper making," "typesetting," and "printing." We are aware of the great significance of traditional printing techniques over the centuries, but also of their fascination for today's audience. This heritage and the enthusiasm it inspires must be preserved."
Dr. Uwe Beckmann, Director of the LWL Open-Air Museum Hagen – Westphalian State Museum of Crafts and Technology
"As Mainz's city printer, I feel connected to Mainz, the Gutenberg Museum, and your initiative, Dr. Ludwig. The text for my artist's book "Die wilden Schwäne" (The Wild Swans) was printed in the print shop. I founded "Druckkunst grenzenlos" (Printing Art Without Borders) in Darmstadt, and sixteen international artists worked in my etching studio and letterpress workshop at the Beisinghoff studio house."
Barbara Beisinghoff, artist, Beisinghoff studio house, Diemelstadt-Rhoden
"Like you said, we believe it is essential to preserve the know-how and technologies introduced by Gutenberg in Europe and for my part, I fully support your investment and your professional call to defend this tangible and intangible cultural heritage at the foundation of European culture and at the foundation of its humanism."
Joseph Belletante, Director of the Musée de l'imprimerie et de la Communication graphique Lyon (France)
"The digital media revolution, which promotes the dissemination of books, encourages reading, and contributes to the increase of knowledge in a similar way to the printing revolution of the past, cannot and should not obscure the continuing significance of printing. As the head of a library with heritage collections, I believe that historical knowledge of this subject is essential to understanding the cultural technique of reading. I am also deeply convinced that historical technologies continue to be appealing, including for the implementation of contemporary projects in the artistic and craft fields, which I would be reluctant to do without. Knowledge of media history requires historical depth and a living art of printing, whether practiced in vocational schools and universities, illustrated in museums, used by artists, or admired by interested parties. That is why I support the Mainz initiative with conviction and emphasis (to use that word in this context): libraries remain alive when they strengthen awareness of the cultural practice of printing and increase knowledge of one of the most significant cultural achievements."
Dr. Claude D. Conter, Director of the National Library of Luxembourg (Luxembourg)
"A world without books is unimaginable. Printing has given people free access to information. Browsing through books, acquiring knowledge, and questioning things is an important cornerstone of democratic participation. Today, new information from the world of the internet reaches us every minute. Knowledge is constantly being renewed, but this also makes it short-lived. Books, however, remain. It is our shared responsibility to preserve the origins and craft of book printing."
Helmut Dedy, Chief Executive of the German Association of Cities
"I find the initiative highly interesting (if not absolutely necessary) and I will sign the Mainz Impulse with full conviction – as a research assistant at a large European library, as the founder and editor of a journal that is published both in print and online (and has been until now), and not least as a resident of the other "Gutenberg city," Strasbourg. The idea of an 'international Noah's Ark for Gutenberg's technology' also seems very promising to me."
Christophe Didier, Bibliothèque nationale et universitaire Strasbourg, Strasbourg (France)
"You can only appreciate things you understand. Against this backdrop, the history of printing and paper is confronted with a very similar problem. Today, we have lost much of our knowledge of (historical) techniques and, with it, our appreciation and demand for them. It is therefore our task to constantly explain these (historical) techniques. Only in this way will they be remembered and have a chance of being used in the future."
Dr. Georg Dietz, Japico Dietz, Dresden
"I support this initiative because the fundamental significance of Gutenberg's invention for media history and for the historical development towards modernity cannot be overestimated."
Andreas Düspohl, Director of the International Newspaper Museum in Aachen
"As a book club and publishing house founded in 1924 by printers and typesetters in Leipzig, we are particularly committed to preserving the traditional Gutenberg technique and the craftsmanship associated with the 'black art'. Since 2014, the Büchergilde has also been a cooperative. Its more than 1,500 members, who are fans of good, well-made books, are keen to support the Mainz initiative."
Alexander Elspas, CEO of the publishing cooperative
"Today marks the start of an international exhibition entitled "KONSTRUKTIV.IST 4," curated by Erdem K. Köroğlu, in which I am represented digitally with my traditional printing art, unique relief prints. It would be unthinkable if the wonderful traditional technology, writing, and books had no future. Development can certainly progress within the network, which is how I am currently also present in Ct. USA, also with relief printing. However, we must not lose sight of the knowledge and skills, the preservation of tradition; it must not be lost."
Katharina Fischborn, artist, Mainz City Printer 2006, Langenlonsheim
"Gutenberg's invention of letterpress printing triggered a media revolution that helped bring about a decisive breakthrough in the general dissemination of knowledge. The invention spread fundamentally and became a cultural heritage that must be preserved.
Gutenberg's letterpress printing was so ingenious that his hand-set type remained state-of-the-art in graphic arts companies for 550 years. We also owe typography to Gutenberg. And yet, in the 21st century, we run the risk of forgetting Gutenberg's legacy due to the digitization of all information. As
the "World Museum of Printing," the Gutenberg Museum Mainz, with its Gutenberg Library and printing shop, ensures that Gutenberg's work and legacy will be passed on to posterity.
Gutenberg's invention of letterpress printing is located in Mainz, which identifies itself as Gutenberg's city. In addition to the Gutenberg institutions, many friends of Gutenberg are involved in the city. As editor of the "Jour Fixe Büchlein" of the International Gutenberg Society in Mainz e.V., I was able to document over 160 prominent Mainz personalities who volunteered to give lectures on Gutenberg's legacy at the "Jour Fixe der Freunde Gutenbergs" (Gutenberg Friends' Regular Meeting) as an expression of their appreciation.
Based on this experience, I support the Mainz initiative and hope that it will lead to the desired success."
Hartmut Flothmann, Idstein
"Paper is made and printed in Homburg! The Homburg paper mill has original historical machines for paper production using water power. We operate a small printing workshop in the mill's annex. With the paper-making demonstration area and occasional activities in our "typesetting" and "printing" rooms, we are reviving the old craft. Orders in the "black and white art" ensure lively activity within the old walls. We are aware of the great importance of traditional printing techniques over the centuries, but paper had already been quietly gaining ground centuries before that. Paper was already in use in Europe in the 12th century and was also produced there. Parchment (animal skins) was too expensive and time-consuming to produce, and quantities were also limited. From the 14th century onwards, paper increasingly prevailed over parchment as a writing medium – paper serves us as a reliable data carrier – and its breakthrough began well before the advent of printing. We are happy to pass on our fascination with paper and printing to today's audience. Please join us in preserving this heritage and promoting enthusiasm for it through orders and visits to the workshops and museums!"
Johannes Follmer, Homburger Papiermanufaktur and Homburger Papiermühle, Homburg
"As the manager of the Livre d'art et de l'Estampe workshop, whose expertise and typographic heritage are well known, I can only support this initiative, which is in line with our efforts to preserve craft techniques that have become rare in the field of typography, at least in France. [...] It is therefore with great pleasure that we support your initiative and sign this "Mainz Impulse," which we sincerely hope will be a sign of a renaissance of professions that are now disappearing but which have been so essential for centuries to the emergence and dissemination of human knowledge and learning."
Pascal Fulacher, Director of the Atelier du Livre d’art et de l’Estampe, Imprimerie Nationale, Flers en Escrebieux (France) (until September 2021)
"With this letter, I would like to thank you for including the Museum of Typography in Chania in the "Mainz Impulse" initiative. It would be an honor to be part of it, so I have already sent the email to express our support, as we share the same concerns for the continued existence of one of the most important cultural achievements of mankind."
Yiannis Garedakis, Museum of Typography by Yiannis & Eleni Garedakis, Chania, Crete (Greece)
"I very much welcome the fact that the Gutenberg Museum in Mainz is supporting Gutenberg's invention in many countries with the "Mainzer Impuls" program. I have been professionally involved with stamps, matrices, and lead type casting since 1957, first at the Bauer foundry and later at Fundición Tipográfica Neufville. Even though we have been digitizing fonts at Bauer Types since 1998, we were one of the last commercially viable foundries to produce and sell hand-set fonts until 2006. It is therefore important to me that this old craft is not forgotten."
Wolfgang Hartmann, Bauer Types, SL, Valencia (Spain)
" 'Even more than the lead in a shotgun, the lead in a type case changed the world.' And not only more, but above all more positively. How much knowledge would have been lost to us without the printing press! The knowledge of this unprecedented invention must be preserved! Thank you for this initiative!"
Aniko Heinze, Bischofswerda City Library
"As one of the last trained typesetters at the large printing company A. Bagel in Düsseldorf (trained in 1962), I must fully support the measures called for in the Mainz Initiative. The history and tradition of the art of printing, a craft that requires a keen eye and technical and industrial foresight, which creates knowledge for all people and enables us all to gain an understanding of culture, would not have been possible without Gutenberg's technology, from movable type to press printing, as we know it today. His industrial and cultural heritage must be enshrined in UNESCO's cultural heritage. The Gutenberg Museum in Mainz is the nest of one of humanity's most important inventions."
Manfred Heiting, The Institute of Art Research, Amsterdam (Netherlands)
"My commitment to protecting Gutenberg's legacy, which represents one of the greatest contributions to the history of mankind."
Jesús Huguet i Pascual, Executive Secretary of the Consell Valencia de Cultura, Valencia (Spain)
"Book printing is a technology that may seem unnecessary in our digital age. However, it is part of our cultural heritage and can therefore also have a decisive influence on our culture in the future. That is why I am happy to support this initiative."
Seungjae Huh, Consul General of the Republic of Korea, Embassy of the Republic of Korea, Bonn Branch
"It's like after the invention of printing with movable type: today, too, the economy and society are undergoing a transformation triggered by media technology that will revolutionize our lives. We are still learning from the legacy of the man of the millennium – and from Mainz we are following Gutenberg's path into the future."
Chamber of Industry and Commerce for Rheinhessen, Peter Hähner (President), Günter Jertz (Chief Executive)
"The history of Leipzig as a book city would have been different, or perhaps not told at all, without Gutenberg's invention. If this history were a book, many chapters about glorious times and painful turning points would reflect the constant process of change in this city in the past and present. Forward-looking changes are only possible by preserving authenticity and passing on knowledge. That is why I support the preservation and transmission of Gutenberg's legacy of the art of printing."
Dr. Skadi Jennicke, Deputy Mayor for Culture of the City of Leipzig
"Preserving our cultural heritage is an important task in the digital age. With this in mind, I strongly support the "Mainzer Impuls" initiative."
SE Dr. Bum-goo Jong, Ambassador of the Republic of Korea
"The transport and multiplication of ideas, beyond mere information and the spoken word, across a broad front, in all areas of life, is the decisive cultural impulse. It was made possible by the invention of paper as a writing medium on the one hand and the invention of printing with movable type on the other. We all stand in this tradition, and we will continue to do so, even though other technologies have been added over the centuries and will certainly continue to be added. The invention of printing is and remains a milestone in human cultural history. Commemorating this fact in the long term and continuing to honor its origins is undoubtedly worthwhile and important."
Dr. Eberhard Kusber, Director of the Erfurt City and Regional Library
"The invention of printing was also the basis for the printing and distribution of sheet music and thus for the establishment of music-making and participation in music in and for society."
Prof. Martin Maria Krüger, President of the German Music Council
"Printing is of great significance for the Republic of Korea, for Germany, and for the whole world. Preserving this complex craft technique as an important cultural heritage for future generations is a matter of great importance. I would like to thank the Gutenberg Museum and the city of Mainz for this initiative."
Dooyoung Lee, Consul General of the Republic of Korea, Embassy of the Republic of Korea, Bonn Branch
"As an avid reader, librarian, and director of the Eichenau Community Library, I am happy to support this important cause. Every day, I deal with a wide variety of print media and come into contact with book lovers (unfortunately, at a distance at the moment). Although we also offer digital media, many readers assure me that these cannot replace printed books. I can only agree with that."
Gisela Lehner, Library Director, Eichenau Community Library
"For decades, through KUNSTZEITUNG and the KUNST information service, we have been showing that we are very concerned about the downside of the digital revolution, that we too fear that print could one day disappear completely. In this way, we feel in harmony with you and Gutenberg; this is how we are involved."
Gabriele Lindinger and Karlheinz Schmid, publishers of KUNSTZEITUNG
"We live in the digital age, and despite radio, social media, and the like, no one can do without information printed on paper. Knowledge and magic come together in book printing. Modern technologies cannot replace human creativity and achievements, and thus our cultural heritage. As a literary house, we would like to express our gratitude to Mainz: this is an important initiative that we would like to support. Mainz is providing impetus with this project."
Literary Society Karlsruhe, Karlsruhe
"For over thirty years, children have been printing in the school printing shop I founded at the Franz-von-Assisi School in Augsburg. The enthusiasm with which letters are assembled into lines and with which the self-written text is 'ennobled' by printing speaks volumes – speaks for itself."
Roman Mangold, retired school superintendent, Arbeitskreis Schuldruckerei (AKS) e.V., Reutlingen
"Since 2012, I have been working as a volunteer in the printing shop of the Gutenberg Museum in Mainz. On the one hand, this is because I enjoy my profession as a typesetter and letterpress printer (also known as a Swiss sword), which I still love even after retirement, and on the other hand, because I want to keep traditional printing techniques alive. I am therefore happy to pass on my knowledge to younger people who are interested, in the hope that the knowledge that has grown over generations and centuries will not be lost. For this reason, I also support the 'Mainzer Impuls'."
Heinz Noack, typesetter in the print shop of the Gutenberg Museum in Mainz
"Adult education centers support society in the digital transformation with comprehensive and far-reaching educational offerings, thus contributing to a successful transformation. However, the diversity of the adult education centers' program also includes the preservation of traditional craft techniques such as letterpress printing. Especially in the field of cultural education, adult education centers offer excellent opportunities for learning about letterpress printing, writing, and paper."
Martin Rabanus, Chairman of the German Adult Education Association
"As a 'disciple of the black art' and founder of the Hamelin Printing Museum, it is also in my interest to promote the preservation of Gutenberg's technology and thus preserve it for posterity. I also see this as the main task of our museum at the regional level. With your "Mainzer Impuls" initiative, you have taken a big step toward preserving the traditional techniques of letterpress printing with movable type. I have the utmost respect for this initiative."
Jürgen Seeger, Die bewegliche Letter – Hamelner Druckerei-Museum e. V.
"Material-based artistic creation in graphic workshops represents a continuation of traditional printing techniques into current contexts. The dialogue with the material and the charisma of the process itself cannot be overestimated in terms of their significance – both for the individual and from a cultural-historical perspective! For over 60 years, Grafikwerkstatt Dresden has been a meeting place, a retreat, and a workplace, as well as a community workshop for the promotion of artists in Dresden. Original graphic printing techniques such as hand typesetting, relief printing, lithography, and etching are available at a professional level."
Peter Stephan, lithographer and director of Grafikwerkstatt Dresden, Dresden Office for Culture and Monument Protection
"With this email, I wholeheartedly support the "Mainzer Impuls." It is unacceptable that an invention as significant as printing with movable type and the resulting revolution in information and the accompanying equality of the non-aristocratic and non-clerical classes should simply disappear. It is not romanticism that drives me, but the desire that this technology should not simply disappear. The data carriers used today have a half-life that is dwindling from year to year. A printed book, just like a work written on papyrus, has the potential to survive for centuries."
Rolf Thienen, Bad Honnef
"Gutenberg European Space has learned with great hope about the future prospects of your project entitled 'Mainz Impulse'. Since our meeting in Korea in 2016, our idea of collecting and maintaining knowledge about printing techniques in all known forms of application has gained ground year after year. We are aware that closer cooperation than ever before with the Gutenberg Museum and the city of Mainz will lead to a greater pooling of resources and needs. The year 2018 gave it a very special resonance by including it in a larger program, as a tribute to Gutenberg, and making this network of partners on the Rhine axis visible. Our two cities protect and pass on our knowledge with the help of valuable documents in our museums, because the great upheavals of the digital revolution cannot erase the keepers of the history of ancient techniques, but must complement them. The Gutenberg European Space strongly supports this call for the preservation and transmission of Gutenberg's technical achievements. Guy
Tinsel, President of the Espace Européen Gutenberg, Strasbourg (France)
"With my printing workshop SLOWTYPE, where I produce books and graphics using hand typesetting and letterpress printing with artistic printing techniques, I have been passing on these craft skills to interested younger and older people in workshops for 8 years. I am a trained typesetter myself, but I have also worked as a freelance graphic designer for a long time and have come to the conclusion that knowledge of these crafts must not be lost."
Wolfgang Vogel, Atelierwerkstatt slowtype, Ludwigshafen
"Gutenberg's innovation of movable type was a decisive milestone in making educational content accessible to all people. It is not without reason that the Gutenberg Design Laboratory at Mainz University of Applied Sciences is programmatically committed to preserving and communicating the book art heritage of Johannes Gutenberg, with an explicit view to the future. Because: A profound understanding of tradition is a prerequisite for innovation in the present and in the future – or as Sting puts it more simply and poetically: "In every turning leaf is a pattern of an older tree. The shape of our future, the shape of all our history." That is why we at Mainz University of Applied Sciences are signing the "Mainz Impulse" with great conviction."
Prof. Dr. Susanne Weissman, President of Mainz University of Applied Sciences
"I am happy to sign the Impulse. In this age of digital change, it is not only important to preserve original technologies and traditions such as the book printing Gauschen on Mainz's Johannisnacht, but the goal must also be to build bridges between the past and the present. After all, roughly speaking, without Gutenberg there would be no computers today! A world without Gutenberg is just as unimaginable today as a world without computers."
Andreas Wiese, Regional Director, ver.di Rhineland-Palatinate-Saarland, Telecommunications/Information Technology/Data Processing Division
"The last trained letterpress printers are retiring, including those in my company. Just a few decades ago, hand typesetting and letterpress printing were industrial practices, but now many young adults are hardly aware of what a printing company actually does. In a few years, we will hardly have any vivid images in our minds of veteran letterpress practitioners, and for this reason, we will unfortunately no longer receive first-hand reports. Our current culture must not forget the fundamental importance of stamp cutters, typesetters, printers, papermakers, and their technology. Thank you to Mainz for this important initiative!"
Sven Winterstein, Owner, Letterjazz Print Studio, Essen


